855-FOR-TRUTH

Eva Hudson is an English-Irish writer and director, who trained as a playwright at Bristol Old Vic Theatre School. Her plays have been performed at theatres including Ustinov, Bath, Bristol Old Vic and Arcola, London. Her theatre work has been praised as 'incredible scriptwriting [...] Hudson's script had me questioning everything I thought I knew' (Broadway World), 'wonderful, inventive and thought provoking' (John Hodge, BAFTA winning writer of Trainspotting (1996)) and 'very touching [...] very funny when it shouldn't be and then very beautifully tragic' (Rebecca Lenkievicz, Academy Award Winning writer of Ida (2013) and Hot Milk (2025)). Her most recent work includes an upcoming tour of her play LIFE BEFORE YOU in 2025/2026, and a short film, 'I Knew Her Before She Was A Virgin', which screened at international film festivals, and for which she won multiple awards. 

She has a first class degree in English Literature from University College London, and is longlisted for the Theatre503 International Playwriting Award 2025. Her first project for screen, DEAD NET, is currently under a shopping agreement with Hell Fire! Productions, and she is on the Exeter Northcott Emerging Writers' programme.

 Committed to the development and staging of new writing, Lydia’s work centres human connection & character at its heart, with hints of the fantastical in her staging. She co-founded Gentlewomen Production House and is literary assistant at the Finborough Theatre. She trained on the MA Drama Directing course at Bristol Old Vic Theatre School and is represented by Lou Davidson at Simon & How Associates. Recent productions include: ONE OF THE BOYS (The Playground Theatre), Cancer B*tch! (Burton Taylor Studio, Oxford Playhouse), The Project (Brockley Jack). 

 Ellie Wintour is a set and costume designer working across theatre, fashion, music, and exhibition design. She studied English Literature at the University of York before training in Theatre Design at Wimbledon College of Art. She spent three years at Es Devlin’s studio as an Associate Designer, leading on Dua Lipa’s Future Nostalgia (World Tour), the promenade dance piece Salamander (Brisbane Festival), The Crucible (The National Theatre, Gielgud Theatre), Here Not Here (Gothenburg Opera House), and Beyoncé’s Renaissance (World Tour). 

Her theatre credits as a designer include Thanks for Having Me (Riverside Studios); Dead Dad Death Cult (Battersea Arts Centre); Florence (The Other Palace); Chef (The Gaiety Theatre; Scottish Tour); Miss I-doll (The Other Palace), Radiant Vermin (The Bridge Theatre), One of the Boys (Playground Theatre); Sisters Three (Summerhall), Blizzard (Soho Theatre), Grounded (The Bridge Theatre) in Brussels, Her Green Hell (Theatre Royal Plymouth, Bath Ustinov Studios), A Guest (Vault Festival), and For a Palestinian at (Camden People’s Theatre). She was a co-creative director of Porridge Radio’s headline show at the Pompidou Centre in Paris, having previously designed sets for their last two albums, Waterslide, Diving Board, Ladder to the Sky and Every Bad.

Further credits as a 3D designer for Tom Scutt include Alexander McQueen A/W25 & A Moon for the Misbegotten (Almeida Theatre) & for Michael Levine, Die Frau Ohne Schatten at Aix en Provence 2026.

 Mark Fenton is a sound designer, composer and writer for stage and screen exploring the intricate relationship between text and sound. He founded the new writing company Tiny Change Theatre in 2018 and created shows for venues as large as Southwark Playhouse to as intimate as living rooms. Passionate about dismantling barriers and making theatre more accessible, Mark works with underheard voices championing bold and exciting new ideas. His sound design utilises immersive soundscapes, emotional original compositions and the best of popular music. Recent sound design credits include The Project (Hope Theatre), All That Glitters (Theatre503) and Cancer B*tch (Oxford Playhouse).

 Brett was born in Guelph, Canada and graduated from Rose Bruford College with a BA (Hons) in Lighting Design previously graduating with honours in Technical Production for Theatre and Live events from Sheridan College. Brett's goal in theatre and the arts is to work with others who want to challenge normal conventions. Whether this is through the people, and stories told on stage or in production meetings, he wants to ensure that every voice is heard to create the best art possible. Having worked and studied in multiple countries, Brett's Lighting Design continues to evolve to be ever more creative and inspiring. 

Selected credits include: Heathers (Theatre Sheridan), 855-For-Truth (Gentlewomen Production House), Macbeth (Action to the Word), The Hunt (Rose Bruford College), Amelie (Guildford School of Acting), Wendy and Peter Pan (Watermill Theatre), Once Upon a Mattress (Guildford School of Acting), Animal Farm (Rose Bruford College Wigan), Human Nurture (Theatre-Centre), Moon Hares (Orchestra of the Age of Enlightenment), Ghost Train (The Assembly Project), Traveling Light (Rose Bruford College), Chopped Logic (Action to the Word), Daylighting (Royal Academy of Music), Epic Love and Pop Songs (Tiny Wife Productions), Katzenmusik (London School of Dramatic Arts), Abigail's Party (Rose Bruford College), The Returned (Portal Dance Company), Romeo and Juliet (Notorious Theatre Company), Hamlet (Urban Arts Project), Macbeth (Notorious Theatre Company), Midsummer Night's Dream (Urban Arts Project), The Tempest (Urban Arts Project). 

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